Through ceramics, paper, and pigment, I explore the tension between fragility and endurance. My hands remember the teachings of Shigaraki clay, the restraint of monochrome glazes, and the quiet power of negative space. Each piece is a prayer—sometimes for beauty, sometimes for grief, always for truth.
I am drawn to the phrase “mottainai”—a reverence for what is often discarded. In my studio, broken vessels become altars, and forgotten textures find new voice. I believe in art that listens, that waits, that does not shout but lingers like incense in a temple corridor.